Building your personal brand so journalists find you first

Building your personal brand so journalists find you first

Steve Blears Media Training Podcast

Building your personal brand so journalists find you first.

With Steve Blears and Penny Haslam, author of Make Yourself a Little Bit Famous

In this episode of the Media Training Podcast, Steve Blears is joined by former BBC Business News presenter, broadcaster, author and confidence expert Penny Haslam to explore how to make yourself visible and credible before the camera starts rolling.

Together, they unpack what it really means to build your personal brand off-camera — the kind of presence that makes journalists take you seriously when they come knocking. Drawing on their years as BBC journalists, Steve and Penny explain how producers search for new voices and why being easy to find, clear about your expertise, and visibly active online can make all the difference.

It’s a lively, honest conversation about showing up consistently online, staying authentic and being contactable when opportunities arise. Whether you’re a business leader, spokesperson or comms professional, this episode will help you become the kind of expert journalists want on their list.

1. Why journalists are always searching for new, reliable expert voices

Journalists are always on the lookout for new voices — people who can talk about their subject with confidence, clarity and a bit of personality. When a story breaks, there’s no time to hang about. As Steve puts it, “When you’re a desk jockey on daily news programming, you’re hard-pressed for time and you need someone reliable who’s going to do a good job.”
 
But here’s the challenge: finding someone new is a risk. Producers stick with the names they already know because it’s safer. Penny remembers it well: “It’s a badge of honour when you find somebody decent on air who’s never been heard before. Your colleagues make a note of them, then everyone starts booking them too.”
 
So, if you want to be that fresh voice — the person who gets the call when a journalist needs an expert — you’ve got to help them find you. Journalists aren’t scouring secret databases; they’re searching online, asking around, checking LinkedIn, X, and YouTube. They’re looking for someone who sounds credible and looks the part.
 
And that’s where your off-camera brand comes in. When they Google you, they’ll decide in seconds whether you’re right for the job. Your visibility, tone and even your profile photo all feed into that snap judgment.
 
The good news? You can make their decision easy. Show up online as the professional you are, speak clearly about what you know, and share your ideas publicly. Make yourself the safe pair of hands they’re desperate to find.
 

Continues..

More media training guides and podcasts

2. The lack of diversity in media guests and the opportunity for new faces to stand out

Turn on almost any news programme and you’ll notice a familiar pattern: the same faces, often the same voices, saying the same things. As Stever points out in the episode, “There are far too many white men in the media being interviewed.”
 
It’s not about tokenism; it’s about representation and freshness. Newsrooms know they sound narrow if the only commentators they can find look and think alike. The problem is, when time is tight and the pressure’s on, producers often default to the people already in their contacts book — the ‘safe bets’.
 
Penny explains why this happens: “When I started as a junior researcher, I was keen to book guests who were a safe pair of hands. And guess what? I just listened to what had been going on and booked the same guests.” It wasn’t deliberate exclusion, just the path of least resistance.
 
That’s where new voices have an opening. Thanks to how easily journalists can now find people online, the door’s wide open for experts from every background to be discovered. If you’re knowledgeable, reliable and visible, you can cut through the noise.

3. How to make yourself easy to find and appealing as a potential media contributor

If a journalist can’t find you, they can’t book you. It’s as simple as that. Producers aren’t detectives with endless hours to track down the perfect spokesperson — they’ll search online, skim a few profiles and make a quick judgement about who looks like they know their stuff.
 
As Steve says in the podcast, “You need to Google yourself and take a long, hard look at what shows up.” What appears on that first page is often the only impression a journalist will get of you. If they see a clear, up-to-date photo, a relevant headline, and a handful of posts that show you’ve got something interesting to say, you’ve already done half the work.
 
Being findable isn’t about shouting the loudest. It’s about creating a consistent picture of who you are and what you know. Use the same job title, keywords and language across your LinkedIn, website and other professional platforms. If you write articles or comment on industry news, make sure your name and organisation are front and centre.
 
Journalists value speed and reliability. When you present yourself clearly — with a visible online presence, an obvious area of expertise and easy contact details — you remove the risk for them. You become the person they can trust to turn up, speak well and make their story stronger.
 
It’s not self-promotion for the sake of it; it’s about being discoverable when it matters.

4. Common online profile fails

If you want to be taken seriously by the media, your online presence needs to look the part. Penny and Steve have seen it all — and as they point out in the episode, some mistakes are surprisingly common.
 
Steve laughs as he recalls, “If you’re a business leader who wants to talk on a specific topic, showing up in sunglasses with your shirt off on a surfboard somewhere in your profile photo is probably not what you need on LinkedIn.” It might be a great holiday snap, but it won’t say “trusted commentator.”
 
Poor profile photos are just one of the traps people fall into. Others include half-written bios, outdated job titles, or having no visible description of what you actually do. Journalists don’t have time to dig — if your role or expertise isn’t obvious within a few seconds, they’ll move on to the next person.
 
Then there’s the issue of tone. If your posts swing from overly corporate one day to casual slang the next, it sends mixed signals. As Penny puts it, “Everything needs to be congruent.” Your language, imagery and attitude should match across every platform — LinkedIn, your company site, even your Zoom background.
 
These details might sound small, but they shape how credible you appear to someone who doesn’t know you yet. A coherent, professional profile tells journalists you’re serious, informed and ready to step in front of a microphone without giving them a headache.

5. Using hashtags strategically so journalists can discover you

One of the simplest ways to become more discoverable is by using hashtags with intent. Journalists monitor them all the time to find voices commenting on their patch — whether that’s housing, health, finance, education, or something niche like climate tech or retail trends.
 
Penny explains it well in the podcast: “How do you get around that aspect? That would be by using hashtags on your socials that journalists may also be using.” It’s not about stuffing every post with random tags, but choosing the ones that position you exactly where the right people are looking.
 
Think about what a journalist might type when searching for experts. If you’re a housing CEO, use tags like #housingcrisis, #socialhousing, #affordablehomes. If you’re in business or leadership, try #womeninbusiness, #leadership, #futureofwork. Two or three well-chosen hashtags are enough to connect your content to the right conversations.
 
Relevance is key. A post with thoughtful commentary, tagged correctly, is far more likely to appear in a producer’s search feed than something generic. Hashtags aren’t vanity labels — they’re signals that say “I’m part of this conversation.”
 
And when your posts consistently show up alongside current stories or sector debates, you start to build digital visibility in the spaces journalists already trust. It’s quiet, steady brand-building — and it works.